Colombian based and Mexican born artist, Stinkfish, has returned to London with his exhibition, Crossroad Portraits at Pure Evil Gallery.
An explosion of colour characteristic of his vibrant portraits, the fireworks of bonfire night was the perfect backdrop for the opening of an exhibition by one of the most energetic and vibrant artists to have painted on London streets and graced the gallery scene in awhile.
Visitors to the opening were able to chat with Mr Stinkfish about his work and see the photos of people who have captivated him in his travels and subsequently become the subjects of his portraits.

Image of unknown mother and child whose image Stinkfish used as a model for his mural painting. Photograph from wall of images at Pure Evil Gallery, now on display. Photo of images by Tania D Campbell
Within each portrait is contained a tale of the momentary captivation of heart and mind, captured in a photograph, and carried in the heart of the painter through to completion of his portrait. Often unaware of the photographer, these interesting moments with intriguing strangers are immortalised in a combination of stencil and freehand paint on canvas.
Many times, Stinkfish has been asked about his choice of colour palette and over again, he replies that it has come organically. Perhaps by considering the indigenous and folk art of Central America, including Colombia and Mexico, one can see that in the context of this art history with their vibrant reds, oranges and yellows, the equally vibrant palette of Stinkfish, a man of the streets, is organic to cultures from which he comes.
These delightful portraits, refreshingly dazzling to the London public are very accessible to aspiring collectors, evidencing the truth of Stinkfish’s ethos of wishing not to exploit his success but merely to be able to continue to make art available to as wide an audience as possible, particularly through the public gallery of the Street.
The exhibition runs through 6 December. Pure evil gallery at 96/98 Leonard Street is open daily from 10-6.
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